How do you make professional work with real people not trained performers?
How do you craft performance for a paying audience when you can’t simply use technique to dazzle them?
How do you draw attention to the beauty in the ordinary, and make us marvel at the very variety contained within the human species?
I don’t know, but I know a woman who does. Continue reading
Over the past few weeks I’ve had the privilege of witnessing the development Janice Parker’s latest dance piece – Private Party. Conceived as a follow on from Private Dancer, her award-winning Unlimited Commission for 2012, Private Party takes an eclectic group of 12 dancers one step further to open up various notions, rites and rituals associated with the concepts of both ‘private’ and ‘party’.
I use the word ‘witnessing’ with care as it has both a general and a specific meaning within dance. Continue reading